"Condenadme, no importa, la historia me absolverá."
Fidel Castro, 16 de Outubro de 1953, Santiago de Cuba.
"Só a história julgará, com a objectividade e a distância temporal indispensáveis, a acção de cada um de nós."
Miguel Relvas, 4 de Abril de 2013, Lisboa.
(foi de propósito?!)
(a História. aquele pedaço de conhecimento factual feito por pessoas objectivas... exacto. não, a História nem sempre absolve. julga sim, à sua maneira: corrige, sublinha, esquece, acrescenta. às vezes revela, mas só o que lhe foi dado a ver. é mais ou menos como as leis: não se livra nunca dos erros de interpretação.)
5 comentários:
Comentário de viewer em https://youtu.be/CFADTS6ubuE :
Bren L4 months ago
'This show was a staple for my teen years (when the History channel was about HISTORY, not Aliens and pawn shops and storage units) . [...]'
Turning Points of History (TV Series 1997– ): http://www.imdb.com/title/tt0291531/
VIDEO: https://youtu.be/Mt2-dX_FlNM?list=PLDF7B08FF8564D1FE&t=37m19s <- [Fall 2009] Foundations of Modern Social Theory with Iván Szelényi; 11. Marx's Theory of Historical Materialism (cont.) [http://oyc.yale.edu/sociology/socy-151/lecture-11]; Chapter 5. Theory of Modes of Production
TRANSCRIPT: "[...] Chapter 5. Theory of Modes of Production [00:37:18] - And then he's beginning to develop the theory of modes of production. He said, "Well, man can distinguish from animals in different ways. But most important is that we produce, that we change the environment in a purposeful manner. Right? That we have an image how to change the physical environment for us. "And what actually matters is not simply what we produce--and this is a very important idea--"but the mode of production, how we produce, how we engage each other. Because this will change in history,not simply what we produce." Well this is a revolutionary idea. Again, this is completely new in Marx. Before Marx, you went into a museum and the museum was about great people. Right? These were kings and queens and generals and popes whose pictures were presented there, and this was the way how history was described. Now you go into a history, and now you can see this is a living room, how people lived in Roman times, and this is the way how they ate, this is the way how they cooked, and these are the instruments by which they produced the stuff what they cooked in their kitchen. Right? This is how a modern historical museum looks like, and this comes--this is really a revolution from Marx. History is not the history of great ideas and great men, or great women. History is the idea of the actual way how people lived and produced and reproduced their ideas. [...]"
VIDEO: https://youtu.be/h8p3i4O_7G4?list=PL23C220A2C5EC0FDE&t=7m22s <- The Teens watch and discuss popular J-pop artists
This episode featured the following teenagers.
Troy, age 14
Tori, age 16
David, age 17
Ethan, age 17
Kaelyn, age 17
Pedro, age 17
Jeordy, age 18
Rebecca, age 18
Jeannie, age 19
Shant, age 19
Sophia, age 19
Tom, age 19
"[...] Speaking about Russia's role in the world as a great power, Russian philosopher Ivan Ilyin said that the greatness of a country is not determined by the size of its territory or the number of its inhabitants, but by the capacity of its people and its government to take on the burden of great world problems and to deal with these problems in a creative manner. A great power is the one which, asserting its existence and its interest ... introduces a creative and meaningful legal idea to the entire assembly of the nations, the entire “concert” of the peoples and states. It is difficult to disagree with these words. [...]"
FULL TEXT: http://www.mid.ru/en/foreign_policy/news/-/asset_publisher/cKNonkJE02Bw/content/id/2124391
VIDEO: https://youtu.be/FWUXoj6kACk?list=PLDF7B08FF8564D1FE&t=8m50s <- [Fall 2009] Foundations of Modern Social Theory with Iván Szelényi; 16. Weber on Protestantism and Capitalism; Chapter 1. Similarities and Differences Among Marx, Nietzsche, Freud and Weber
TRANSCRIPT: "[...] If the history of the museum--historical museum of Marx is filled up with the means of production; you go into a museum, you can see the life-right?--how people lived, what their house was, what the instruments were they produced their livelihood. You see this in a lot of contemporary museums, which are not Marxist, but still inspired by this Marxian idea. [...]"
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